The artists
Lula Kerdreux
was born in 1990 in French Brittany. Coming from a family of artists of all kinds, she moved very early to the practice of circus and theater arts.
Practices which will take her in 2008 to leave her seaside to join the Théâtre-Cirqule in Geneva where she enters professional training. For two years she specialized in fixed trapeze. She spends most of her time there and explores all aspects, or almost, to orient herself towards a dynamic and acrobatic work, in which moments of balance and suspension intermingle. During this period rich in learning, she also discovered, in addition to the dance and theater lessons given in professional training, singing, which she invited in her creations. It becomes a second specialty, like a new apparatus which she seeks to tame with pleasure.
In 2010, she joined the CNAC in Châlons en Champagne. There she pushes a little further are dynamic approach to the trapeze and enriches her artistic universe with many inspirations and influences.
After various solo experiences, in 2014 she left to work with a traveling circus in French-speaking Switzerland, Le Gommette and Gabatcho Circus. With them she stayed on tour for four years and discovered multiple aspects of circus life in a marquee. It was after the arrival of her first child that she began to imagine the Immersions project, and on the arrival of the second that the creation took shape with the birth of the Compagnie Glaz.
Tanguy Stenfort
has been juggling for over 15 years. Breton by origin, after two years in musicology faculties in Tours, it was at Le Tilt circus school in Nantes that he began his training in circus arts and dance. Through various ball and contact ball internships, he perfected and integrated in 2007 the professional training of Théâtre-Cirqule in Geneva. He deepened the theatrical game there while continuing to train in juggling, dance (classical and contemporary), acrobatics and balance.
Over these years of training, in addition to purely technical work, he developed juggling balls and contact ball with an aesthetic of movement and very precise rhythmic work.
Through his various professional experiences in festivals and cabarets he also clarified his artistic universe and took part in 2009 in the creation of the show
“Tetrapilothomie” with the Compagnie 33 Tours which he rides with two other jugglers, Olivier Elbaz and Julian Bellini. Two years later it was in duet with juggler Nathalie Berthod that he set up the CNPK Company and launched into the creation of a new show, "Interiors" and later, by
"Plexus". Since 2013, he is also trapeze artist and works in duet with the fildefériste Carine Fasseur in his show "Marcelle and Paulo" by the Company to me all alone. He is also a juggler and percussionist for the Karnavage company, and between two contracts at the Opéra Bastille, he takes part as an actor in the show "Dérive" after Jean Genet at the Théâtre du Galpon in Geneva. It is therefore to overcome the boredom of this too empty timetable that he embarks today on a new adventure with the Compagnie Glaz.
Vivian Heidinger
Born in Strasbourg in 1990, he spent his childhood
with the watchword: "Do what you want, but
no one will pick you up if you make a
stupidity ”. If he quickly understands the start of the
instructions, the second part leaves it a little
puzzled. What is stupidity? Time will tell.
To this rule of life is added the words of a
guidance counselor: "You must choose a
profession which you are sure you will enjoy the activity for a pair of years ”.
He then decides to do what he wants and make it his profession. And stupidity or not, as nobody comes to seek it, this choice leads him to the Theater-Cirqule, the circus school of Geneva. He is particularly fond of acrobatics on the ground and juggling balls but his encounters and experiences make him wonder:
"What if I rocked teeterboard?" If I was a carrier? Or outfielder? And by the way I like music too ”... Quickly he went from professional training to the stage, and to the road with Cirque Renversé and R'vue Genevoise. A few tribulations alone later, he spent a few years on the track of Gommette and Gabatcho circus.
Until the day where...
"What if I take part in the birth of a new company?" "